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版做为复制器物或图文的手段在我国历史上很早就有了,只是它未能假以版的名称而过早的实现了,所以到今天我们对版的认识范畴愈加具体,甚至仅局限在印刷上。在作者看来,在人类社会活动中手工技艺兴起的同时就已经伴随着版的发展轨迹。换句话说有了刻工,有了雕刻工艺就有了版,这种工刻从某种意义上讲就是制版。只是版的内容未曾转到承印物上,我们能够看到的是当今天的研究者为了方便研究而将青铜器上的铭文像石上的图像在一次的拓印出来时,实际上是在千百年后实现了版的某些特性,恢复了它们原有的复制功能和传播功能,也可以被看作是续写了这类文化载体作为媒介的具体意义。
The version as a means of copying artifacts or graphics has existed very early in our history, except that it failed to prematurely come out with the name of the edition, so by today we have become even more specific about the scope of our understanding of editions, Limited to printing. In the author’s opinion, the rise of handcraft in human social activities has accompanied the development of the edition. In other words, with the carving, there is a version of the carving process, which is a kind of carving in a sense. Only the content of the edition has not been transferred to the printed matter. What we can see is that when today’s researchers print the inscriptions on the bronze on a stone for the convenience of research, they are in fact thousands of years After the realization of some of the features of the version, restore their original copy and communication functions, can also be seen as a continuation of the specific meaning of such cultural media as a medium.