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20世纪50年代,徐进把由清曹雪芹著、高鹗续的《红楼梦》改编成越剧剧本,成功搬上了舞台,并受到了中外观众的热烈欢迎。相较其他剧种的红楼戏,其受欢迎的程度以及影响力,都可谓是空前的。此剧原带有20世纪的社会意识,但徐进凭其生花妙笔,令此剧在当今戏曲界仍享负盛名,风采不减当年,继续不断吸引无数的观众。本文从剧中的主角贾宝玉入手,来探究一下这份剧本的魅力所在。
In the 1950s, Xu Jinhua made a successful adaptation of the “Dream of Red Mansions” by Cao Xueqin and Gao Zuolin into a script for Yue Opera. It successfully entered the stage and was warmly welcomed by Chinese and foreign audiences. Compared to other operas, the popularity and influence of Red House plays are unprecedented. This drama with the 20th century’s social awareness, but Xu Jin with its superb pen, make the drama in today’s opera circles are still prestigious, unabashed appearance that year, continued to attract numerous viewers. This article from the protagonist Jia Baoyu start to explore the charm of the script.