库切的《福》是对西方经典《鲁滨逊漂流记》的改写,体现其反殖民主义的思想。但是作为一名白人流散作家,库切的双重身份意识投射在其小说创作中,表现出一种矛盾的心理。本文主要探讨库切在《福》中向殖民主义的妥协,以此引发对流散作家创作的局限性的反思。 Coetzee’s “blessing” is the rewriting of the Western classic “Robinson Crusoe”, reflecting his anti-colonialist thinking. However, as a white diaspora writer, Coetzee’s dual-identity consciousness projected in his novels shows a contradictory psychology. This article mainly discusses Coetzee ’s compromise with colonialism in “blessing”, in order to trigger the introspection on the limitation of the creation of the disinterested writer.