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《秦腔·后记》影视艺术片的拍摄,以“环境生成人”和“人对生存环境的反思和批判”为主线,艺术地再现了《秦腔》作品中的原型人物——棣花村村民过去诗意的生存和当下困苦的生活、以及面对市场大潮无所适从的茫然感。通过细腻的影视语言和多样化的影视特写镜头,表现出了著名作家贾平凹缱绻的乡情和伟大的良心。该片是作家文本和现代化影视传媒手段嫁接渗透的结晶,为读者解读伟大的乡土题材史诗性作品《秦腔》开辟了一条新路。
The filming of film and television art pieces of “Shaanxi Opera and Shaanxi Postscript” focuses on the theme of “reflection and criticism of living environment” by “environmental creators” and “people”, and reproduces the archetypal figure Huacun villagers in the past poetic survival and the current hardship of life, as well as the face of the market tide at a loss at a loss. Through the delicate video language and diversified film and television close-ups, the well-known writer Jia Pingwa demonstrated his nostalgia and great conscience. The film is the result of the integration of writers’ texts and modern film and television media, opening up a new road for readers to read the epic Shaanxi opera, a great home-country theme.