自明代正德、嘉靖年间(公元十六世纪)兴起文人篆刻之后,中国的治印艺术便进入一个新的阶段,至清代更获得长足进展,取得了辉煌成就,成为中国治印史的又一个高峰。现就清篆刻史中几个关于全局的问题略抒己见,聊作引论。一篆刻的社会化与印人的职业化清初,篆刻艺术更加社会化,成为朝野士庶文化生活的一个组成部分,主要表面在两个方面:第一它已像法书、名画一样引起艺术收藏家的重视。在明代,大收藏家的藏印,一般限于古印,当代人作品尚未引起注意。项子京的天籁阁即 Since the rise of scholars and masters in the Mastership between Zheng Zheng and Jiajing during the Ming Dynasty (16th century AD), the art of seal printing in China has entered a new stage. By the Qing Dynasty, great progress has been made and brilliant achievements have been made. Now on the history of carving a few on the overall situation a little comment, talk as an introduction. In the early Qing dynasty, the carving art was more socialized and became an integral part of the commonwealths and civilizations. Its main appearance was in two aspects: first, it had caused the same art as fame books and famous paintings The collector’s attention. In the Ming Dynasty, Tibetan collectors of large collectors were generally limited to ancient India, and contemporary works have not drawn any attention. Kyoko’s paradise Pavilion that is