××先生: 近来巴黎小皇宫展出布格罗(William Bou-guereau)的作品,这是一次特展,对十九世纪末现代美术的发展有相当意义的反省。布格罗是十九世纪末法国学院派的代表人物,生前红极一时,死后很快就销声匿迹,近一个世纪以来还被美术史家所指责诟骂,作品价值也被贬到一落千丈的地步。廖静文女士所写的悲鸿先生传记里记述,徐先生就把布氏当作学院派的反面教材。当年徐先生留法时,布氏已去世多年,正值布氏被贬得一无是处,徐先生无法系统地看见其作品,自然会有这样的看法。 ××: Recently, the work of William Bou-guereau on display at the Palais Royal in Paris was a special exhibition with a significant reflection on the development of modern fine arts at the end of the 19th century. Bouguereau was a representative of the French academic school in the late nineteenth century. He had a very strong life and soon disappeared after his death. He was accused of art historians for nearly a century of criticism, and the value of his works was also relegated to the point of plummeting. Biography written by Miss Liao Jingwen tells the story of Mr. Beh Hung, Mr. Xu put Brine as the opposite school materials. When Mr. Xu stayed in France that year, Brutus had died for many years, at a time when Brigitte was devalued to no avail. Mr. Xu could not systematically see his works and would naturally have such a view.