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冯延巳词的内容没能脱离《花间集》那种闺阁的情调,表现出当时流行的市民俗趣,但却毫无低级庸俗之处,表现出柔婉清幽的尚雅趋势。词中的女性形象有淡化外貌描写、超越男女情爱的内容,含蓄优雅,并具有一定的主体意识。冯延巳词超出了男子作闺音的传统模式,在本应欢畅的环境中融入了词人本体与时代的忧思,表现出深沉的人生悲慨,是冯延巳自身的士大夫情感,带有文人的特征,具有女性与文人形象合二为一的意味。然而这种情感的表达是婉曲含蓄、纤细敏感的,呈现出柔婉清雅的女性化词体特征。
The content of Feng Yan-si’s words failed to escape from the mood of “bouquets” and showed the popularity of popular folklore at that time, but there was no vulgar vulgarity and showed a soft and quiet trend of elegant and elegant. The female images in the words have desalination appearance description, transcending the love and affection of men and women, implicit and elegant, and have certain subject consciousness. Feng’s speech has gone beyond the traditional model of man as a boudoir, incorporating the civic noumenon and the contemplation of the times into a pleasant environment, showing deep sadness in life, being the character of Feng Yanji’s own literati and his wife , With the image of women and literati combined. However, the expression of this emotion is subtle, delicate and sensitive, showing a feminine and elegant stylistic features.