神话原型批评学派兴起于20世纪20、30年代,于20世纪50年代后期达到发展的顶峰,作为对新批评的反拨,神话原型批评促成了西方批评从修辞向神话的批评转向,标志着批评转向了对人类心灵中更为广阔的神话模仿的研究和探讨。本文以神话原型批评为视角,从人物、情节、意象三个方面出发,对英国作家斯威夫特的《格列佛游记》进行了全新的阐释。 Mythological archetypal criticism emerged in the 1920s and 1930s and peaked in development in the late 1950s. As a countermeasure against mythic criticism, mythological archetypal criticism led to a shift in criticism from rhetoric to mythology in Western criticism, marking a critique Turned to the wider study and discussion of mythological imitation in the human mind. Based on mythological archetypal criticism, this article starts with a new interpretation of the English writer Swift “Gulliver’s Travels” from three aspects: characters, plots and images.