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人类的艺术史早已证明,劳动人民的艺术不仅是一切上层文化艺术的肥沃土壤与丰富的宝库,即从宫廷贵族艺术、宗教艺术、士大夫文人艺术、市民艺术,到现代、当代专业艺术,无一不是劳动者创造或受劳动人民创造的艺术孕养哺育发展起来的。特别是在中国美术史上,要把“民间”与“精英”艺术之间划一条泾渭分明的界线,几乎是不可能的。何况,任
The art history of mankind has already proved that the art of the working people is not only the fertile soil and rich treasure house of all the upper culture and arts, that is, from the court aristocratic arts, religious art, scholar literati art, civic art, to modern and contemporary professional art, It is not developed by the laborer to create or nurture the art created by working people. Especially in the history of Chinese art, it is almost impossible to draw a completely separate line between the “folk” and the “elite” art. Moreover, any