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宋代是传统中国画发展的一个高峰时期。它一方面继承了唐、五代的笔法传统和风格样式;另一方面,受文人思潮的影响,绘画表现又向着文人画方向转型;同时,宋代统治者大都雅好绘事,他们的审美趣味往往也会影响到作为绘画创作主体的画院画家的创作方向。此外,还有一个不可忽视的因素,就是唐宋之际迅速兴起的佛教禅宗思想,也深刻影响着当时的艺术批评和艺术创作。本文以梁楷为例,通过对其《泼墨仙人图》的分析,试探索禅宗思想对宋代人物画的影响。
Song Dynasty is a peak period of the development of traditional Chinese painting. On the one hand, it inherited the traditional style and style of writing of the Tang Dynasty and the Five Dynasties. On the other hand, influenced by the ideological trend of literati, the performance of painting turned to the direction of literati painting. At the same time, It will affect the creative direction of the painter as the main body of painting. In addition, there is another factor that can not be ignored, that is, the rapid rise of Buddhism Zen Buddhism in the Tang and Song dynasties has also profoundly influenced the contemporary art criticism and artistic creation. Taking Liang Kai as an example, this article tries to explore the influence of Su Zenzong’s thought on figure painting in the Song Dynasty through the analysis of his “Ink Painting and Immortality”.