众所周知,工艺美术运动完全抵制机械生产的偏激源于约翰·罗斯金和威廉·莫里斯思想上的激进,而对其余当事人,尤其是对亨利·科尔的研究将更有助于我们客观和公正地认清那场运动的始末。本文正是试图通过对亨利·科尔推行设计教育的改革及其艺术设计商业化理念的阐释,恰如其分地说明了他在艺术设计史中不可磨灭的历史地位。 It is well-known that the extreme resistance of the arts and crafts to the complete resistance to mechanical production stems from the radicalization of the ideas of John Ruskin and William Morris, and the study of the rest, especially of Henry Cole, will more contribute to our objectivity and fairness To recognize that movement throughout. This article attempts to explain exactly his indelible historical position in the history of art design by explaining the reform of Henri Cole’s design education and the commercialization of his art design.