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男性作家吴克敬的小说主人公大都是女性。近年发表的中篇小说《五味什字》《羞涩的火焰》《欲望的绳子》《先生姐》《手铐上的蓝花花》的主人公无一例外是女性。但是在吴克敬笔下,塑造完美的女性形象并不是为了给在男权社会中处于弱势的女性彰显价值或伸张权利,而是要通过对这些象征着“美”的女性形象的毁灭来反映社会困境,表达对社会和人性的批判。
The male protagonist of the male writer Wu Kejing is mostly female. In recent years, the novella “The Five Flavor,” “Shy Flame,” “Rope of Desire,” “Sister Sisterhood,” and “The Blue Flower on the Handcuffs,” were all women. However, under Wu Kejing’s writing, the perfect image of women is not meant to highlight the value or rights of the disadvantaged women in the patriarchal society. Instead, they should be reflected by the destruction of these female images symbolizing “beauty” Social predicament, expressing criticism of society and humanity.