在第九届荷花奖当代舞、现代舞评奖剧目中,有相当一部分作品表现情感推进到极致时采用演员在舞台上歇斯底里的呐喊的表现手法,情绪达到极致呐喊,无可厚非,但是一场比赛中呐喊的表现手法用多了就会引起观众的反感,舞蹈的特点是用肢体来传情达意,“呐喊”作为声音语言用得恰当是精华,用多了甚至滥用就成为糟粕、败笔。 In the Ninth Lotus contemporary dance, modern dance awards repertoire, a considerable part of the performance of the works to the extreme emotional use of actors on the stage hysteria crying performance techniques, the emotion to the extreme cry, understandable, but a game cry The performance of the technique with more will arouse the audience’s resentment, the dance is characterized by the use of limbs to express their feelings, “cry ” as the sound language is properly used is the essence, with more or even abused become dross, failure.