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近年来,如果我们经常逛艺术区、美术馆或者艺术双年展的话,我们不难发现:形式多样、尺幅巨大、印放精良、装裱考究的摄影作品开始频频出现,随身携带的平板电脑和大屏幕手机也时不时推送来一些关于摄影节、新锐摄影、摄影拍卖的资讯和图览。以至于当我们偶然看到“纪实摄影”这四个字的时候,脑海中能回想起的总是十多年前的那些经典专题,比如谢海龙的《希望工程》、侯登科的《麦客》,吕
In recent years, if we often visit art galleries, art galleries or art biennials, we can easily find out that in the form of diverse forms, large-scale prints, well-printed and well-mounted photographic works, the carrying tablets and Large-screen mobile phone from time to time to push some photos on the festival, cutting-edge photography, photography auction information and maps. So that when we accidentally saw the words “documentary photography ”, those classic topics that can be remembered in our minds are always more than 10 years ago, such as Xie Hailong’s “Hope Project” and Hou Dengke’s “ Wheat off ”, Lu