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本文通過對傳統書法批評中“言不盡意”又“極難下語”的書面表達方式進行分析,得出古代書論中語言對書法審美具有整理與規範的作用。即傳統書法批評語言并不僅僅是一種被動的工具,它們在具體的應用中,往往會給書法審美與批評以重要的影響與反馈,以使原本帶有個性的審美與批評超越時空,具有普遍意義。而這一語言的規範經驗亦是傳統書法批評的一個視角。
This article analyzes the written expression of “Inconsciousness ” and “Extremely Difficulty in Language ” in the traditional calligraphy criticism, and draws the conclusion that the language in the ancient calligraphy theory has the function of arranging and standardizing the calligraphic aesthetic. That is to say, the traditional calligraphic criticism language is not just a passive tool. In the concrete application, they tend to give important influence and feedback on the calligraphic aesthetic and criticism so as to make the original aesthetic and critic with individuality go beyond time and space, significance. The normative experience of this language is also a perspective of traditional calligraphy criticism.