雕塑与非雕塑都可能使物质空间转换为虚幻空间即精神空间。非实在的空间的艺术魅力依赖形象的动态反映。虚幻空间与虚幻时间有共性,主体审美感受中的幻觉和错觉心态有积极意义。人们在审美感受中可能形成比物质空间广阔得多的精神空间。观赏者或者雕塑家在意象中所创造的虚幻空间比物质空间工具有扩大的延伸力。人们认为:造型艺术中的绘画只有二度空间,雕塑或建筑体现三度空间因为店铺也可能体现时间特征,所以承认它有四度空间的性 Both sculpture and non-sculpture may transform the physical space into an imaginary space, the spiritual space. The artistic charm of the non-real space depends on the dynamic reflection of the image. Unreal space and unreal time are common, the main aesthetic feeling of the illusion and illusion mentality has a positive meaning. People in the aesthetic experience may form a much broader spiritual space than the material space. The illusionary space created by the viewers or sculptors in their images has an extension of the extension of the physical space tools. It is believed that there is only a second space for painting in the art of molding and the third space for the sculpture or building because the store may also reflect temporal features and therefore admits that it has four degrees of spatiality