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八十年代茫茫的西北高原上,回荡着弘扬民族文化的壮丽乐章。“秦俑魂”、“唐乐舞”、“黄土地”、“红高梁”,这些扎根民族文化、打向世界艺坛的作品使中外为之瞩目;西安的国画界继赵望云、石鲁为代表的“关中画派”之后,中青年画家推出二大批外观古拙而意蕴新巧之作;刚刚落成的大型城雕
In the northwestern plateau of the 1980s, the magnificent movement to promote national culture echoed. The souls of the Qin Dynasty, the Tang and Dance, the Yellow Land, and the Red Sorghum, these works that took root in the national culture and made it to the world’s art circles attracted attention from both China and the rest of the world; Xi’an’s Chinese painting circles followed Zhao Wangyun and Shi Lu as representatives. After the “Guanzhong School”, young and middle-aged painters introduced two large batches of new appearances with ancient appearances; large-scale urban sculptures have just been completed.