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在美学视野下,古道“丝绸之路”是中国向世界传播美学思想的重要桥梁。丝路瓷器是中国美学思想传播至西方各国的重要载体,海上丝路的发展给丝路瓷器美学思想的传播提供了契机。在世界各国对中国瓷器的迷恋与仿制过程中,蕴含在中国瓷器中的生活美、艺术美与科学美等美学思想也悄然传播至世界各地。尤其是17—18世纪瓷器美学所表现出来的“中国风格”对西方“洛可可风格”产生了重要影响。丝路瓷器的输出史实也是中国传统美学思想向西方的传播史,它见证了古代中国美学的国家身份与世界地位。
From the perspective of aesthetics, the ancient road “Silk Road ” is an important bridge for China to spread the aesthetic thought to the world. Silk Road Porcelain is an important carrier of the dissemination of Chinese aesthetic thoughts to other countries in the West. The development of the Silk Road in the Silk Road provides an opportunity for the spread of the aesthetics of Silk Road porcelain. In the world’s fascination and imitation of Chinese porcelain, the beauty of life contained in Chinese porcelain, art aesthetics and science aesthetics also quietly spread around the world. In particular, the “Chinese style” exhibited by the porcelain aesthetics of the 17th and 18th centuries exerted a significant influence on the Western “Rococo style.” The history of the output of Silk Road porcelain is also the history of the spread of Chinese traditional aesthetics to the West. It witnessed the national identity and world status of ancient Chinese aesthetics.