当电影首先是一门艺术还是一项工业的争执时不时被国内理论家们鼓噪得面红耳热煞有介事之时,有一个事实却令中国电影界人士大为无奈:国产电影离观众的距离不是越来越近而是越来越远了。关于国产电影境遇是否每况愈下的质疑越发罕见,相反,电影企业效益下降也成为一个理所当然的国有经济问题。稍加观察便可发现, When the film is first and foremost an art or an industrial dispute, it is sometimes remembered that Chinese filmmakers are greatly frustrated when the domestic theorists have clamored for red flags. The distance between domestic movies and the audience is not the more. The closer but farther and farther away. On the deteriorating question whether the domestic movie situation is getting worse, on the contrary, the decline in the effectiveness of film companies has also become a matter of course the state-owned economy. A little observation can be found,