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苏童的小说创作涉及了先锋小说、新历史小说以及新写实小说三大类别,因而拥有广泛的读者群。加之部分作品获得了影视改编,更拓宽了其小说的流传途径。但是,其作品也引发了一定的争议,其中就有矛头指向其作品中的家庭伦理问题。苏童小说中人物的家庭关系往往是非主流的,人物也多趋向于边缘化,充满了对社会、对时代的拷问。本文从扭曲的夫妻关系、疏离的亲子关系、错位的手足关系三方面,浅析苏童作品中的家庭伦理。
Su Tong’s novels involve three major categories: avant-garde novels, new historical novels and neo-realistic novels, and thus have a wide readership. In addition, some of the works have been adapted into films and television programs, broadening the circulation of his novels. However, his works have also caused some controversy, among which there are spearheads on family ethics in his works. The family relations of characters in Su Tong’s novels are often non-mainstream, characters tend to be more marginalized, full of torture to the society and the times. This article analyzes the family ethics in Su Tong’s works from three aspects: distorted relationship between husband and wife, alienated parent-child relationship, dislocation relationship between hands and feet.