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在国产战争片领域,冯小宁可谓是最杰出,也最引人注目的导演之一。在其数十年的艺术生涯中,冯小宁形成了个人的艺术风格和偏好。以中日甲午战争为题材的《一八九四·甲午大海战》可以视作是冯小宁在战争题材上的又一次尝试。在这部电影中,冯小宁敏锐的历史意识,以及为史实的骨架丰富以个人情怀血肉的创作习惯依然有所保留。文章从历史困境的重新书写、特定历史环境中的人性与情感、历史人物情感的意象化三方面,分析影片的历史书写。
In the field of domestic war films, Feng Xiaoning can be described as one of the most outstanding and most eye-catching director. In his decades of artistic career, Feng Xiaoning formed his own artistic style and preferences. The Sino-Japanese Sino-Japanese War of 1894 as the theme of the “1894 Sino-Japanese Maritime Corps” can be regarded as another example of Feng Xiaoning’s war effort. In this film, Feng Xiaoning keen sense of history, as well as the richness of the skeleton of the historical facts of the flesh and blood of the personal habit of writing still have reservations. The article analyzes the historical writing of the film from three aspects: the re-writing of the historical predicament, the human nature and emotions in a specific historical environment and the imagination of the historical figures’ emotions.