论文部分内容阅读
从古至今,在源远流长的中国文学艺术之中以森林为题材、对森林有深刻解读的作品似乎并不多,古代文人更多是从一种意境出发而为诗为文,很少从森林本身的美感去描述大森林中的生活之美。一如王维的:“空山不见人,但闻人语响。返景入深林,复照青苔上”;再如贾岛的:“松下问童子,言师采药去。只在此山中,云深不知处”。人诗意的存在不同于动物的本能的存在,诗意的存在是生命的根本需要,而安居乐业的生活确实是至关重要的,王世俊先生的小说《脚步的歌声》让我们能感受到作家的那种特有
From ancient times to the present, there seems to be very few works that have a profound interpretation of the forest in the long history of Chinese literature and art. The ancient literati were more poetic from a mood and rarely from the forest itself Beauty to describe the beauty of life in the great forest. As Wang Wei’s: “empty mountain is not seen, but the smell of speech .Back into the deep forest, complex photo moss on the”; “Another example is the island of Jia:” Panasonic asked the boy, In this mountain, cloud deep I do not know where “. People’s poetic existence is different from that of animal’s instinct. The existence of poetic meaning is the fundamental need of life, and the life of living and working is really crucial. The song of ”footsteps" by Wang Shijun makes us feel the writer’s kind Unique