作为20世纪初的英国现代主义女性作家,弗吉尼亚·伍尔夫深谙当时人们面临的不幸,在作品中让其笔下的人物遭遇或虚无或混乱的现实与心灵世界。代表虚无的“空屋”空间与代表混乱的“狂欢”空间都否定了新秩序建立的希望,但作者却从未放弃自我拯救的尝试。在一系列探索之后,具有女性特色的“乌托邦”空间,成为承载作者重建心灵秩序的完美空间。 As a writer of British modernism in the early 20th century, Virginia Woolf knew well the realities and worlds of mind that the people were confronted with in his works when he was confronted with the unfortunate moment of the people they encountered. The empty spaces and the “carnival” spaces that represent nothingness denied the hope of establishing a new order, but the author never gave up trying for self-salvation. After a series of explorations, the feminine “Utopia” space has become the perfect space for the author to reconstruct the spiritual order.