农民形象不是唯一的参与想象性梦想共建的象征资源,但是,他们毫无疑问是其中最为重要的表述符号之一。与建国初期电影对农民形象进行编码、压制身体物欲以弥合个体欲望和集体意志、主观叙事和客观历史之间裂缝不同,新时期以来的很多电影将这种深度的裂缝体现了出来。而这种裂隙的矛盾性存在,本身也成为中国电影农民形象建构的主要特征之一。 Farmers’ image is not the only symbolic resource to participate in the construction of imaginary dreams. However, they are undoubtedly one of the most important expressions among them. In the early days of the founding of the People’s Republic of China, the film encoded peasant images, repressed body materialism to bridge individual desires and collective will, and the cracks between subjective narratives and objective histories were different. Many films in the new period embody this deep-seated crack. The existence of such cracks in the contradiction, itself has also become one of the main characteristics of the image construction of Chinese film farmers.