论文部分内容阅读
话剧面临八十年来最严峻的挑战,沉重的历史反思促使话剧开始了多方位的探索。这十年,话剧从理论到创作实践可以说空前活跃。但同时又出现了一个奇特的现象,探索性话剧是“乱烘烘,你方唱罢我登场”令人目不暇接、眼花缭乱。但大多是三五场就寿终正寝,烟消云散,几乎还没有一个戏能得到全国上演的响应。有关话剧的新观念,新思潮不断泛起,又不断退去,艺术流变的更新周期越来越短。审美平衡一再被打破。这一方面说明话剧在多方位的探索和频繁选
The drama is facing the most serious challenge in 80 years. The heavy historical reflection has forced the drama to start a multi-faceted exploration. In these ten years, drama can be said to have been unprecedentedly active from theory to creative practice. At the same time, however, a peculiar phenomenon has emerged. The exploratory drama is dizzying and dazzling. However, most of them have come to an end in 35 games and there is almost no one game that can get the response staged nationwide. New ideas about drama, new trends continue to emerge, but also continue to recede, the changing period of artistic change is getting shorter and shorter. Aesthetic balance has been repeatedly broken. This shows that drama in many directions to explore and frequently selected