徐渠在上海的首次个展继承并致敬“后感性”一代的批判性、张力与残酷,尝试在作品中模拟自然、人工和伦理之间的吞食关系。通过对动物、风景、人造工业品等对象进行物理上的改造,艺术家将它们转化为更具想象力、不正确,甚至极为暴力的状态——如买通屠夫凭经验“临摹”非洲斑马的照片,用尖刀切割一匹纯色小马的柔软皮毛,一条条撕下表层的皮肉,露出间隔的白色脂肪,最终 Xu Qu’s first solo exhibition in Shanghai inherits and pays tribute to the critical, tension and cruelty of the “post-sensual” generation, attempting to mimic the devouring relationship between nature, work and ethics in his works. By physically transforming objects such as animals, landscapes, and artifacts, artists transform them into more imaginative, incorrect and even violent states - such as the Buyout Butcher’s experience of “copying” African zebras Photo, with a knife to cut the soft fur of a solid color pony, a strip of the surface of the skin tear, exposing the white fat interval, the final