“六法”的提出,为我国造型艺术领域的创作和评论开创了一个精密而具有普遍艺术规律的理论体系。而“气韵生动”是“六法”中的第一法,它比较抽象又放在第一位,既是绘画创作的首要目的又是对作品评价的标准。但对“气韵生动”含义的具体解释以及产生气韵的根源,则一向是众说纷纭。我认为对这一重要理论进行探讨,对于阐明中国古代画论的真实含义,继承中国文艺理论的优秀传统,以及对当前的绘画创作,都将有积极的意义。 “Six Law ” proposed for the creation and commentary in the field of plastic arts in our country to create a precise and universal theoretical system of art. The vivid charm is the first method in the six principles of law. It is more abstract and first, which is not only the primary purpose of painting but also the standard of evaluation. However, the specific interpretation of the meaning of “vivid” and the origin of the rhythm, it has always been controversial. I think it is of great significance to discuss this important theory in order to clarify the true meaning of ancient Chinese painting theory, to inherit the fine tradition of Chinese literary theory and to create the current painting.