粘性是句子内部成分的独特组织构造,即词语的搭配方式;作为文学语言的粘性,还表现在对读者感染程度的强弱上。粘性和一定文化背景下的人们对语言的知觉和感知相互影响。以往的文学语言常用常规的词语搭配,这种陈陈相因的言语方式,既是人们固定知觉、概念的外在表现,又反过来规定着人们对事物的感知。现代文学语言常常打破常规的词语搭配,力求恢复词语的原生感觉属性,从而给读者提供较新鲜、 Stickiness is the unique organizational structure of the internal components of a sentence, that is, the collocation of words; as the stickiness of literary language, but also in the extent of the degree of infection on the reader. Viscous and cultural context of people perception and perception of language influence each other. In the past, literary language often used traditional words collocation. This kind of speech form of Chen Xiang-caan was not only the external manifestation of people’s fixed consciousness and concept, but also the people’s perception of things. Modern literary language often break the conventional collocation and strive to restore the original sensory attributes of words, so as to provide readers with more fresh,