论文部分内容阅读
《肥皂》围绕家庭来展开叙述,于场景呈现和语词使用上寄寓反讽意味。不同于传统道德寓言式的伦理叙事模式,鲁迅取法精神分析的小说笔法,揭示了儒家伦理维护者的情色想象和潜藏在家庭伦理之下的个人情色欲望。不仅批判了道学家的虚伪性,更指涉了广阔的社会层面上儒家传统伦理的空壳化现象。个人欲望和家庭伦理并行不悖,欲望被掩藏在传统布棉袍之下,与传统道德共同行进着,家庭结构成了保护个人欲望的温床。叙事者隐于人物和场景之后,其道德取向的模糊性体现了作者对于儒家传统伦理的深刻反思。
“Soap” expands the narrative around the family to convey the irony of scene presentation and the use of words. Different from the traditional ethical narrative ethical narrative model, Lu Xun adopts the psychoanalytic novel method to reveal the erotic imagination of Confucian ethical defenders and the personal erotic desire hidden under family ethics. Not only criticizes the hypocrisy of Taoism, but also refers to the hollow social phenomenon of Confucian traditional ethics. Personal desire and family ethics go hand in hand, desire is hidden under the traditional cloth gown, and the common development of traditional morality, family structure has become a hotbed of personal desire. After the narrator hides in people and scene, the fuzziness of his moral orientation embodies the author’s profound reflection on Confucian traditional ethics.