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7月27日,中国戏曲学院客座教授李鸣岩先生收吉林省京剧院优秀青年演员刘俊杰为徒的仪式,在吉林省京剧院的长春大戏楼内隆重举行。李鸣岩先生是著名的李(多奎)派老旦,在继承发展李派艺术方面贡献卓著。她曾受教于徐鸣策、安舒元、谭小培、贯大元、雷喜福等老师,1958年拜李多奎先生为师,深得真传。在近60年的舞台实践中,她在《目莲救母》、《洪母骂畴》、《太君辞朝》、《望儿楼》、《遇后·龙袍》、《钓金龟》等剧目中成功地塑造了众多鲜活的人物形象,其中尤以《洪母骂畴》、《目莲救母》为其代表剧目,在国内戏曲界影响广泛,堪称标志性的传承剧目。
On July 27, Mr. Li Mingyan, visiting professor of the Chinese Opera Academy, received Liu Junjie, an outstanding young actress from the Beijing Opera House of Jilin Province, and took his place in the Grand Theater in Changchun, Jilin Province. Mr. Li Mingyan is a well-known Lee (Duo Kui) sent Laodan, in the succession and development of Lee art outstanding contribution. She had been taught by teachers such as Xu Mingze, An Shuyuan, Tan Xiaopei, Guan Daoyuan and Lei Xi Fu. In 1958, Mr. Li Dukui was a teacher and gained true rumors. In the nearly 60 years of stage practice, she has been widely praised for her achievements in such fields as “Gurun Save the Mother,” “Mother Tongs”, “Taeksun”, “Wang Er Lou”, “Hou Long Robe” And other plays in the successful shaping of many lively character images, including “Hong mother curse domain”, “Mulun save the mother” as its representative repertoire, the domestic drama industry has a wide range of influence, called the iconic heritage repertoire.