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中国山水画滥觞于魏晋,究其原因,从中国古代神仙思想 看,“地仙”观念对山水画滋长有着重要的影响。就像中国人传 统的鬼神观、生死观自古延续至今而生生不息一样,中古时期 “地仙”观念出现就反映出上古鬼神观由顶礼膜拜神物转变为 偶像;由过去更为重要的是,“地仙”观念提供了一条似乎可行 的“成仙”途径--游放山林。所以,魏晋时期土族文人们不 约而同地对山林产生兴趣,继而产生山水之游、山水诗及山水 画等艺术实践和艺术创造活动现象是难以排除“地仙”宗教观 念的影响的。本文试从这一角度展开自己的一孔之见。
Chinese landscapes originated in the Wei and Jin Dynasties, the reason, from ancient Chinese immortal thought, “immortal ” concept has an important influence on the growth of landscape painting. Just as the traditional Chinese outlook on ghosts and gods, the outlook on life and death has been extended from the ancient past to the present, and the concept of “immortality” appears in the Middle Ages shows that the concept of ancient ghosts and gods has been changed from worshiping the gods to idols; it is even more important in the past The idea of “immortals” provides a seemingly feasible “immortality” approach - to freeing up the mountain forests. Therefore, in the Wei and Jin Dynasties, the Turkish literati invariably became interested in the mountains and forests, resulting in landscapes, landscape poems and landscape paintings and other artistic practices and artistic creation activities are difficult to rule out the “immortal” religious concepts. This article tries to start from this perspective.