在空气中由于物体振动而产生的不同频率的纵波传递,让声音成为终日环绕在我们身边的最大现实。但相比依靠光线而存在的可视现实而言,昼夜无歇的声音传递却更容易被忽略和漠视。而在我们通常所言的“当代艺术”的范畴之内,从学院教育到现场展示,众多没有经过认真思考和结构支撑的声音,也经常让“失聪”的耳朵成为一对被视觉观看所压抑的常态摆设。声音是什么?声音是可感知的空间吗?就像小时候向幽暗的水井中投入的一块石子,那种由微妙的声音所反射出的深度回声,至今依然能够塑造出我们童年记忆中鲜活的空间体验来。当然,与视觉感知相同,声音也不仅只具有回溯记忆的单向功能。如当单个的声音在不 The propagation of the compressional waves of different frequencies in the air due to the vibration of an object makes the sound the greatest reality that surrounds us all day long. However, compared with the visual reality that relies on light, the sound of day and night sound transmission is more easily overlooked and indifferent. However, within the category of “contemporary art” that we usually refer to, from college education to on-the-spot demonstrations, many voices without serious consideration and structural support often make the ear of “deaf” a pair Visual view of the repressed normal furnishings. What is the sound? Is the sound a perceptible space? Like a stone thrown into a gloomy well at a young age, the deep echo reflected by the subtle sound still shapes the vividness of our childhood memories Space experience come. Of course, as with visual perception, the sound does not only have one-way function of retrospective memory. Such as when a single voice is not