自从王澍获得了去年的普利策建筑奖之后,中国设计师无论在国内还是在海外都受到更多的关注。虽然越来越多的中国设计师在海外获得大奖,但相比中国当代艺术的光彩夺目,中国设计的光芒却没有这么闪耀。即使在西方金融危机的威胁下,物美价廉的中国商品帮助无数受困的底层人民摆脱消费危机的困扰,但中国的设计产品却还是常常被打上低廉、“山寨”等标签。中国的设计到底如何“走出去”?在回答这样一个战略 Since Wang Shu won last year’s Pulitzer Prize for Architecture, Chinese designers have received more attention, both domestically and overseas. Although more and more Chinese designers have won prizes overseas, the glow of Chinese design is not as bright as the dazzling Chinese contemporary art. Even under the threat of the Western financial crisis, good and cheap Chinese goods have helped the underprivileged people get out of the consumer crisis. However, Chinese design products are still often labeled as low-cost, “cottage” and other labels. Chinese design in the end how to “go out”? In response to such a strategy