80年代,台湾的电影评论和理论颠覆了逃避主义和唯美主义的电影观,确立了写实主义电影观及写实主义电影理论的核心地位,肯定了作者电影的文化价值。自90年代至今,台湾电影评论和理论逐渐移转至学院,其与电影创作实践和普罗大众之间的关系也变得较为疏远了。从总体上看,台湾的电影评论较为活跃,而纯粹的电影理论和电影美学研究则略显薄弱,本土化的理论建构则比较欠缺。 In the 1980s, Taiwan’s movie criticism and theory subverts the cinematic view of escapism and aestheticism, establishes the core position of the realistic cinematic and realistic cinematic theories, and affirms the cultural value of the author’s cinema. Since the 1990s, Taiwan film criticism and theory have gradually shifted to colleges, and their relationship with filmmaking practices and the general public has also become more distant. Generally speaking, Taiwan’s movie reviews are relatively active, while pure film theory and film aesthetics are slightly weaker, while localization is less theoretical.