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“Many foreigners mistakenlybelieve that Chinese womenare creatively oppressed,that they have beenoppressed for centuries,” Teacher Yang said,glancing at me wryly.
“That’s correct,” I replied, lifting myeyebrows. “Can you disprove it?”
“Of course,” he said, smiling. “I citemy case by calling on Yuan Mei (1716-97),one of China’s foremost poets of the 18thcentury. He was a key promoter of women’sliterary writing. Yuan had many unconventionalideas regarding women. His positioncaused intellectuals to revaluate the waywomen were perceived—both as literary talentsand as fellow human beings.”
“That’s correct,” I replied, lifting myeyebrows. “Can you disprove it?”
“Of course,” he said, smiling. “I citemy case by calling on Yuan Mei (1716-97),one of China’s foremost poets of the 18thcentury. He was a key promoter of women’sliterary writing. Yuan had many unconventionalideas regarding women. His positioncaused intellectuals to revaluate the waywomen were perceived—both as literary talentsand as fellow human beings.”