我把两个大相径庭的事务捏在了一起,绝不是为了哗众取宠,而是在多年的创作生活和书本学习及实践碰撞中有了诸多的感叹与思考,借形成文字的机会总结,已砖示人。一、一个地方的舞台应靠精品而鸣从事戏剧创作事业也是一晃十年,这十年中从中戏的黑匣子学生演出到北京舞台的人艺、中青的大牌演员的大制作到只有一场两场的北漂一族的实验性的演出,再到赵本山一年一年奉献给全国人民的小品,赵本山由小品日渐扩大影响,渐成品牌的二人转,看过太多的成功与失败,感触颇深 I pinched two very different affairs together. It was by no means intended to sensationalize the public. Instead, I laughed and laughed at many years of creative writing and book learning and practice collisions. First, the stage of a place should rely on the quality and reputation In the drama creation career is also a flash of ten years, the ten years from the drama of the black box student performances to the stage of Beijing’s art, the big big actor production to only one two Field bleachers of experimental performances, and then to Zhao Benshan year to dedicate to the people of the sketches, Zhao Benshan gradually expanded by the essay, gradually became the brand of two people, seen too much success and failure, deep feeling