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一、中国画的广义与狭义“中国画”的概念最早出现在20世纪初的“五四”前后,意在与“国文”、“国货”等相对于“洋画”、“洋文”、“洋货”而立名。至新中国成立,随着民族艺术的振兴,遂有“中国画专业”与“中国画院”的产生。后来,“国画”则为“中国画”之简称。其内涵大体是定义在文人画和宫廷院体画的绘画形式上,其材料为:纸(宣纸及绢)、墨、笔(毛笔)、砚等。几十年来已约定俗成,成为一个不争的概念。这种殃义的中国画概念在某种程度上对中国绘画的发展起着“规范”与“限制”的作用。
First, the generalized and narrow sense of Chinese painting “Chinese painting ” concept first appeared in the early twentieth Century before the May Fourth Movement, intended to be associated with the “Chinese ”, “ ”,“ Foreign ”,“ foreign goods ”and name. To the founding of new China, with the revitalization of national art, there is “Chinese painting professional ” and “Chinese painting academy ” generation. Later, “Chinese painting ” is short for “Chinese painting ”. Its connotation is generally defined in the literati painting and the palace body painting form of painting, the material is: paper (rice paper and silk), ink, pen (brush), Yan and so on. Decades have been established as an indisputable concept. This disastrous concept of Chinese painting to some extent plays a role of “standardization” and “restriction” in the development of Chinese painting.