“戏剧艺术是行动的艺术”。因此,小生的表演也离不开“行动”二字,也可以说离不开这个法则。原因是小生的行动和一连串的动作是完成角色的最高任务,评剧小生和其它兄弟剧种的小生行当都如此,只是根据其剧种的特征略有差异而已。一、评剧小生的“手眼身步口”(五法) 评剧小生的“念”、“唱”和京剧不同,京剧小生的唱和念是用大小嗓结合的表达方法去完成角色的最高任务,而评剧小生的念白和唱法则是多用普通话的大嗓(本嗓)去体现和表达人物的内心世界完成其人物的最高任务。比如:评剧表演艺术家刘小楼老师表演的传统评剧《白蛇传》剧中的许仙, “Drama art is the art of action.” Therefore, niche performance can not be separated from the word “action” can also be said that this rule can not be separated. The reason is that niche action and a series of actions is the highest task to complete the role of critics and other siblings niche when it is only based on the characteristics of its drama slightly different. First, the criticism niche “hand vision” (five methods) Commenting on the niche’s “read”, “singing” and Peking opera is different, Peking Opera sings and read is the expression of the combination of the size of the voice to complete the role of the highest task, and The nostalgic and singing style of the critics is to use the large voice of the Mandarin (the throat) to express and express the innermost world of the characters to accomplish the highest tasks of their characters. For example: the performer of drama performance artist Liu Xiaolu teacher performance of the traditional Pingju “White Snake” drama Xu Xian,