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对中国的传统艺术和历史的痴迷是我一直以来进行艺术创作的原动力,也是长期以来进行绘画创作研究的主要内容,在创作题材、形式上不断思考,如何创造出既继承传统又多元化,与时代相协的绘画作品,是我一直都在追寻研究的方向。寻找历史的足迹,下到生活中积累素材是一直以来创作的必要过程,此次《班禅东行》的创作也是源于一次外出写生,
The obsession with China’s traditional art and history is the driving force behind my artistic creation all along. It is also the main content of the research on painting creation for a long time. I have been thinking constantly about the creative themes and forms, how to create a tradition that is both traditional and pluralistic, The paintings that are associated with the times are the direction I have been pursuing. Looking for the footsteps of history, the accumulation of material down to life is the necessary process of creation, the creation of the “Panchen eastbound” is also derived from a painting,