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八月的京城迎来了全国基层院团戏曲会演的三十一台大戏,长安大戏院、梅兰芳大剧院、民族宫大剧院、全国地方戏演出中心里,来自全国三十一个省、自治区和直辖市的剧目亮相首都舞台,其中,来自少数民族地区的戏曲艺术以独特的艺术品格、鲜明的地域特色和浓郁的民族风情,尤为夺人耳目。在参加会演的甘肃眉户剧《女大学生村官》、青海藏戏《松赞千布》、西藏藏戏《卓娃桑姆》、宁夏秦腔折子戏专场、新疆曲子《哈哈泉子的户儿家》、云南花灯戏《山村·小河·月亮》、广西桂剧《校长爸爸》、内蒙古蒙古剧《巴图查千情缘》等少数民族地区的戏曲中,既有历史悠久的古老剧种,也有新中国以后诞生的新兴剧种,既呈现出不同发展阶段的戏曲剧种在表演风格上的不同,又呈现出同一剧种不
In August the capital ushered in the National Grassroots Theater drama will play thirty-one drama, Chang’an Theater, Mei Lanfang Theater, National Palace Theater, the national performance of local opera center, from the country’s 31 provinces and autonomous regions And the municipality directly under the Central Government debuted the capital stage. Among them, opera art from ethnic minority areas is particularly impressive in terms of its unique artistic style, distinctive geographical features and rich ethnic customs. In the participating Gansu Meidhuo drama “female village official”, Qinghai Tibetan drama “Songzanqibu” Tibet Tibetan drama “Eve” Sambo, Ningxia Qin Dynasty Zhanzi play specials, Xinjiang song “Haha Quanzi households”, Yunnan In the operas of ethnic minority areas such as the “Lancun · Xiaohe · Moon” of the Lantern Festival, Guangxi Zhuang Opera “Principal Daddy” and Inner Mongolian Mongolian drama “Batu Chia Chih-Yuan”, there are both ancient operas with long history and newborn Emerging dramas, both show different stages of the development of opera drama in the performance of the different styles, but also showing the same drama