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现代派(现代主义)文学及批评话语曾经在20世纪上半叶的中国盛行一时,在1949年之后现代派被当作资产阶级文艺思潮而被噤声。但在这种情况下,茅盾、袁可嘉等批评家一直在努力传达出他们对现代主义的矛盾看法;稍后文革中的地下潜在写作者们亦通过创作表达了他们对现代主义的认同。这一时期中国关于现代主义的话语呈现出一种艰难的过渡性特征,并为新时期现代主义文学的重新崛起提供了一定的思想和艺术资源。
The modernist (modernist) literature and critical discourse used to prevail in China during the first half of the 20th century. After 1949, the modernists were silenced as bourgeois literary trends. But under such circumstances, critics like Mao Dun and Yuan Kejia have tried their best to convey their conflicting views on modernism. Later underground writers in the Cultural Revolution expressed their approval of modernism through their writing. During this period, China’s discourse on modernism showed a difficult transitional feature and provided certain ideological and artistic resources for the resurgence of modernist literature in the new era.