论文部分内容阅读
本文以战时上海(1937.11—1941.12)为时间段,以租界代表性的几个音乐团体为研究对象,将其呈现的不同音乐状态作为“孤岛时期”的研究个案,考察这些音乐事项面对复杂的政治、文化环境和市场压力,分别采用何种策略、产生了何种效果,对战时上海的城市音乐文化产生了何种影响。通过对这些问题的研究,可以使我们重新思考战争和娱乐的关系,并试图对以政治史为中心的传统史学研究予以回应。
In this paper, wartime Shanghai (1937.11-1941.12) is a period of time, taking the representative of several concession music groups as the research object, the different music states it presents as “island period ” research case study these music matters What kind of tactics have been applied to the complicated political and cultural environment and market pressure, what effect has been produced and what impact has it had on Shanghai’s urban music culture during wartime. By studying these questions, we can rethink the relationship between war and entertainment and try to respond to the traditional historiographical research centering on the political history.