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褐色鸟群影无踪,人面桃花始映红。山河入梦无多路,春尽江南又一程。格非,作为先锋作家出场,历经三十年,从高蹈的形式探索,到严肃的生活思考,令我们不期然看到当代中国写作者曲折幽微之心路历程。作为大学教授,他对知识分子有太多失望,这种失望由来已久。当然,伴随这种失望,是他对中国历史与现实多重渡引之美学表达。“江南三部曲”作为格非到目前为止的代表作,堪称用力颇多的三部长篇。从人面桃花春意浓,到春尽江南起秋风,诗意盎然的如画梦境不再,满目疮痍的山河破碎才是现实。格非,终于打造出了自己格调孤高的
Brown birds no trace of shadow, peach red shine. Into the mountains and rivers no more than the way, the spring to make Jiangnan another way. Ge Fei, as a pioneer writer, has experienced 30 years of exploration from a high level and a serious life, so that we can not expect to see the twists and turns of the contemporary Chinese writers. As a university professor, he has been too disappointed with intellectuals for a long time. Of course, with such disappointment, he is an aesthetical expression of the multiple crossings of history and reality in China. “Jiangnan Trilogy ” as Ge Fei’s masterpiece so far, called a lot of force of the three ministries. From the peach blossom spring, the spring from the Jiangnan autumn, poetic picturesque dream no longer, devastating mountains and rivers is the reality. Ge Fei, finally created his own lone style