在刘其敏的画幅前边,你会感到一片明亮的光辉。 作家左拉(E.Zola) 在《论马奈》(E.Manet)一文中曾说:“马奈的画总是光华闪灼,光线犹如一条宽广的白色流水洒落下来,柔和地照亮着物体。” 明亮的光线,总是给人带来愉悦的情感。 刘其敏笔下宽广的马路像磨光的大理石(《沙田新路》);宁静的小河或池塘,有如凝固了的玻璃(《流向田间》《鱼塘杉影》);育秧的薄膜泛出乳白的柔光(《早春》);在收割的浓重的阴影间透射出的强光,令人觉到秋阳的灼热(《乡间热土》)。…… In front of Liu Qimin’s frame, you will feel a bright light. Writer E.Zola once said in E.Manet: “Manet’s painting is always brilliant, the light is like a broad stream of white water that gently shines Objects. ”Bright light, always brings pleasure to people. Liu Chi-min’s wide streets are polished like marble (“Shatin New Road”); tranquil streams or ponds resemble solidified glass (“flow to fields” and “fish pond shadows”); Light (“early spring”); the strong light that shone between the thick shadows of the harvest, reminding us of the burning sentiment of the Autumn sun (“hot country”). ...