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美国著名女作家苏珊·依·辛顿写的《局外人》首次剖析了生活在美国都市贫困街区的野孩子的内心世界。鞭挞了富人子弟对野孩子的歧视与迫害,剖析了人类社会一种最常见的替罪羊现象,并刻画了几个栩栩如生的儿童主人公形象。本文将从原型批评的角度出发,着重挖掘“替罪羊”这一原型意象广泛的象征意义,以期从一个全新的视角来解读她的力作《局外人》。美国著名女作家苏珊·依·辛顿写的《局外人》首次剖析了生活在美国都市贫困街区的野孩子的内心世界。鞭挞了富人子弟对野孩子的歧视与迫害,剖析了人类社会一种最常见的替罪羊现象,并刻画了几个栩栩如生的儿童主人公形象。本文将从原型批评的角度出发,着重挖掘“替罪羊”这一原型意象广泛的象征意义,以期从一个全新的视角来解读她的力作《局外人》。
The “outsider” by famous American writer Susan Whitney first explores the inner world of wild children living in the urban poor in the United States. Whipping out the discrimination and persecution of wild children by rich children, analyzing one of the most common scapegoats in human society and portraying several lifelike images of the heroine. This essay will focus on the symbolic significance of the archetypal image of “Scapegoat” from the perspective of archetypal criticism so as to interpret her masterpiece “Outsider” from a brand new perspective. The “outsider” by famous American writer Susan Whitney first explores the inner world of wild children living in the urban poor in the United States. Whipping out the discrimination and persecution of wild children by rich children, analyzing one of the most common scapegoats in human society and portraying several lifelike images of the heroine. This essay will focus on the symbolic significance of the archetypal image of “Scapegoat” from the perspective of archetypal criticism so as to interpret her masterpiece “Outsider” from a brand new perspective.