考古发掘报告中,对南京地区东晋南朝墓出土的明器榻的命名经常不一。通过对“榻”的概念的辨析、出土遗物的认定以及榻与墓中砖砌祭台的比较,可以发现墓中随葬的明器榻与墓主的身份等级相关,它在祭奠活动中与凭几一起象征的是墓主人的灵魂所在。作为墓主生前家居的象征,墓中榻及一系列家具的布置,使墓主生前的家居生活以及应享有的礼遇在其死后所处的墓室空间中得以延续。 Archaeological excavations report, on the Nanjing area unearthed in the Eastern Jin Dynasty tombs named Ming often different. Through the analysis of the concept of “couch”, the identification of unearthed relics and the comparison of the bricks and altar in the tomb, we can find that the burial fixture in the tomb is related to the identity of the tomb owner. With the symbol of a few is the tomb owner’s soul. As a symbol of the former home of the tomb master, the tomb of the tatha and a series of furniture layout, so that the tomb home life and the enjoyment of courtesy enjoyed in the cemetery space where it died to be continued.