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在格哈德·里希特形式多样的绘画创作中,单色画具有视觉表现上的特殊性并与西方现当代绘画史有密切的关联。文章从里希特单色画创作实践的展开过程与成果的视觉风格分析入手,揭示这类绘画通过对色彩和幻觉形象的“零度化”处理而获得的物性特征,并将其与西方现当代绘画史上的单色画家及其作品的创作动机和艺术观念进行比较,论证里希特绘画中的反形而上学倾向、物质主义的独特性与美学的历史相关性。最后,文章就“绘画终结论”与单色画关系的讨论,分析了里希特单色画创作中所具有的超越现代主义艺术叙事的开放性。
Monochrome paintings, in the various forms of Gerhard Richter’s paintings, are visually distinctive and closely related to the history of modern and contemporary Western paintings. The article starts with the visual style analysis of Richter’s monochromatic painting practice and the visual style of the result, and reveals the physical characteristics obtained by these paintings through the “zero degree” processing of the color and illusion image, Contemporary monochrome painters in the history of painting and their motivation to create works and artistic ideas are compared to demonstrate Richter’s painting anti-metaphysical tendencies, the uniqueness of materialism and the historical relevance of aesthetics. Finally, the article discusses the relationship between “End of Painting” and monochromatic painting and analyzes the openness of transcending the narrative of modern art in the creation of Richter monochromatic painting.