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1911年维也纳的一家报刊发表了一幅漫画,画的下面有一行注明文字:“最现代的人走在路上,沉思着艺术问题。突然,他停住了。他发现了他寻求如此之久的东西。”画中这位“最现代的人”指的就是被后人誉为“现代建筑的先驱”的阿道夫·卢斯[AdolfLoos],那座被讥讽的建筑即是卢斯为歌德曼[Gold man]和撒拉西[SaIa teh]设计的商店。在这座建筑的立面上,他省去了全部的传统花边,也没有用木制窗扉进行装饰,这种简洁新颖的形式开创了装饰艺术的工业时代。阿道夫·卢斯是一位石匠的儿子。1870
A comic was published in a 1911 Vienna newspaper, with a line printed below: “The most modern man walking down the road meditating on art issues, and suddenly he stopped, and he found out he was looking for it for so long . ”The“ most modern person ”in the painting refers to Adolf Loos, who was hailed as“ the pioneer of modern architecture ”by his descendants, and the irony of the building is that Luce is Goetman [Gold man] and Sarasi [SaIa teh] designed stores. On the façade of the building, he dispensed with all the traditional lace and without the wooden window decoration, a concise and innovative form of the industrial era of decorative arts. Adolf Luce is the son of a mason. 1870