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著名词人姜夔曾在《白石道人诗说》中点明了诗歌结尾的艺术魅力:“一篇全在尾句,如截奔马。”事实上也这样,诗人在写诗时对结尾强调精心凝练,强调彰显诗歌意境;而教师在教学中就更要突出诗歌结尾的魅力,真正做到与诗人对话,从而让学生领悟诗歌结尾的意境,突出其余韵。这里,笔者结合实践,重点谈谈诗歌结尾的几种艺术。以有声衬托无眠“月落乌啼霜满天,江枫渔火对愁眠。姑苏城外寒山寺,夜半钟声到客船。”这是唐朝落第诗人张继写的一
The famous poet Jiang Xuan once pointed out the artistic charm at the end of poetry in “Shiraishi Taoist Poetry Theory”: “In fact, the poet wrote a poem about the ending carefully Concise and emphasize the poetic conception, and teachers should even emphasize the charm of the end of poetry in teaching so that they can really talk with the poet so as to enable students to comprehend the artistic conception of the end of poetry and highlight the rest. Here, the author combines practice, focusing on the end of the poetry of several art. To sound set off without sleep ”Moonlight Wuti frost sky, Jiang Feng Yuhuo on the sad sleep. Gushan outside the Hanshan Temple, midnight bells to the passenger ship." This is the Tang Dynasty poet Zhang Ji wrote a