陆扬话不多,口头表达不是他的强项,但在略显木讷的外表底下,却藏着一颗强大而丰富的心灵,流淌着感性而美丽的文字光彩。新近获赠的《后现代文化景观》(新星出版社2014年版)一书集中体现了这一特点。后现代主义的特征、福柯的癫狂、德里达的幽灵、拉康的后精神分析批评、德勒兹和伽塔利的块茎结构、波德里亚的拟像世界、布尔迪厄的文化资本、后现代的城市空间美学,如此等等,本身就云里雾里,诡谲晦涩,都是些不好阅读、理解、概述的当代美学 Lu Yang words not much, verbal expression is not his strength, but in a slightly dull appearance, but hides a strong and rich heart, flowing sensual and beautiful text luster. The recently received “post-modern cultural landscape” (Nova Publishing House 2014 edition) a book embodies this feature. Postmodernism, Foucault’s madness, Derrida’s ghost, Lacan’s post-psychoanalysis, Deleuze and Gatari’s tuber structure, Boderia’s imaginary world, Bourdieu’s cultural capital, Postmodern urban aesthetics of the city, and so on, itself foggy, treacherous and obscure, are some of the bad reading, understanding, overview of contemporary aesthetics